Coming at you with over 60 suggestions of streaming goodness on Amazon Prime, Hulu, Netflix, and Shudder. (Letterboxd companion list in the show notes.)
Every now and then, you come across a title in your streaming platform scrolling, and it just jumps out at you. Or in this case, hops out at you.
Godfrey Ho’s (aka Joe Livingstone) 1988 opus, Robo Vampire, just sounded like cheesy, low-budget fun, and the poster even leans into that vibe fairly hard. The core concepts of this production just make you giggle and ask, “Wait, what??”
As simply put as I can, American heroin smugglers in south east Asia get tired of the repeated run ins with “Tom, the anti-drug agent” and his team, so they hire a Daoist priest to train jiangshi (“Chinese hopping vampires”) to fight those darn anti-drug agents.
Are you still with me? Tom and most of his team are killed in their first encounter with the jiangshi. After literally 3 seconds of mourning from his commanders, one asks to use Tom’s corpse for his android experiments. Thus, Tom is resurrected as “Robo Warrior” to continue the fight against the vicious smugglers and their vampires. Keep in mind that “Robo Warrior” is one of the worst RoboCop knock offs you will ever witness. But wait! There’s more!
In an effort to counter Robo Warrior, the Daoist raises a vampire beast. Or at least a vampire in a gorilla mask. The raising of this creature is not without difficulty as its ghost witch (or witch ghost?) lover interrupts the ritual and battles the Daoist as two of the American drug smugglers stand around watching. One of strongest powers of the witch ghost (or ghost witch?) is being able to spew out a crap load of exposition in under 3 minutes.
Often, I use closed captioning just to not miss dialogue. But one of favorite things now is how the CC interprets sounds or actions on the screen. Anytime it says <squelching sounds> during a movie, I know great things are happening on screen! Robo Vampire brought a new level to the experience for me with <mystic whooshing>, <frightened groaning>, and <monstrous wailing/yelling> during the fight scene between the Daoist, the witch ghost (or ghost witch?), and the vampire beast. And just when I thought it couldn’t be topped? They dropped this cherry on my sundae: <intense mystic whooshing>!
Now’s when we cut to the story of Ray being recruited by Chief Thompson to go and rescue Sophie the spy a group of gangsters and smugglers that captured her. And by “cut to,” I mean cut nearly an hour’s worth of footage from the 1984 Thai film Paa Lohgan into this one for all of the gang war and spy story stuff. Keyways to tell which is Paa Lohgan versus Robo Vampire when key characters aren’t on screen? Besides the visual difference in color grading of the film, all the Thai footage uses real guns with blanks. All the Chinese footage uses these weird barrel attachments that contain 5-6 firecrackers (that you can often see) that fire off in quick sequence.
There are a couple scenes of old school “Chinese water torture” under a dripping faucet for Sophie that feel almost quaint now when you think of waterboarding. But it seems to work on her! Ray and Wendy face the same torture later with the same results. But let’s get back to Robo Warrior and the hopping vampires.
A scene that I’ve found the most GIF worth, the jiangshi encircle Robo Warrior on a beach. Immune to most of his bullets, he goes hand to hand for a brief bit with limited results. He then summons his machine gun back into his hand like it’s fricking Mjolnir! This happens at least two other times in the movie, as well as his gun suddenly being able to shoot a rope of flames. Seriously. It’s a flaming rope strapped to the end of the gun!
This movie was just bad in so many ways, from the acting, the dubbing, the effects, and beyond. Man was it fun to watch! The only part I found a bit objectional was a scene out of nowhere that had a woman cutting open the belly of a cow or oxen to stuff several bags of heroin in and sew it back up. Outside of that, Robo Vampire is just straight up laughable. Even the closed captioning made me laugh.
Kick back with a beverage of choice, some snacks, and a few friends (however social distancing permits), and just have a good laugh with this one. Heaven knows we can use a laugh or three right now.
(On Amazon and YouTube)
We return to our Lethal Literature series and discuss M.R. Carey’s “The Girl With All The Gifts” (2014) and the 2016 film adaptation. Stay safe, fright fans.
In this long overdue return to doing a Franchise Focus, we dive into the depths of Honey Island Swamp and all 4 of Adam Green’s HATCHET films.
We return to the drive-in again! This time, we are discussing ALLIGATOR (1980) and LAKE PLACID (1999).
(Holy hell! It’s been a year since I posted one of these?!? I swear, fright fans, that this will be coming out more often again as we continue to create more original content for our site.)
Have you ever had one of those nights where you just want something brainless, short, and funny to watch? A little while back, such a night made me finally dive into an indie micro-budget film that hooked me clear back with its “is-this-real-or-a-parody?” trailer: The Velocipastor!
As told by the writer-director, Brendan Steere, he tried to type “velociraptor” into his phone one day in film school, and autocorrect changed it to “Veloci Pastor.” Kind of weird how a seed gets planted sometimes, eh? Anyway, after a few funding hurdles, Steere secured an investor and $35,000 to make his film.
Clocking in at just 75 minutes and featuring not a single person you’ve probably ever heard of, The Velocipastor is just silly fun that pays homage to low-budget indie films but never taking itself too seriously. Most of the performances (many provided by friends and family members of Steere) are bad in the best way possible. Even the trained actors do a deliberately bad performance, and that makes it even better!
(**Minor Spoilers Ahead!**)
The plot of this film you never knew you needed to see revolves around young Pastor Doug Jones (Gregory James Cohan), who shortly after graduating from “priest college” witnesses his parents die in a fiery car explosion. … Or at least that’s what the placeholder card tells us on the screen. Seriously, this moment was the true hook for me. A brilliant yet hilarious way to save on the budget. It set the tone for me and let me know what to expect from here on out.
Following this tragic event and the not-so consoling words from his mentor, Father Stewart (played by Daniel Steere, Brendan’s father), Doug travels to China. (Trust them, it’s China.) While there, he happens upon a woman wounded by ninjas (yes, we get ninjas, too) in a forest, and she gives him a dinosaur claw that passes the curse onto him. Now, when Doug gets angry, he turns into a velociraptor-sized dinosaur. Or at least a step up from the inflatable T-Rex costumes you see at Halloween.
As fate would have it, Doug is spotted by Carol (Alyssa Kempinski), a lady of the night, when he transforms and decapitates a mugger in the park. Carol then encourages Doug to use his powers for good and eliminate the criminal element in the town. From there, montages ensue, romance blooms, ninjas (like you’ve never seen) resurface, an exorcism is sort of attempted, and an out of left field Korean War flashback help progress the plot to a gloriously “WTF?!? LMAO!!” finale.
I highly recommend checking this one out, fright fans. Go in with the only expectations of having some laughs, some gore, and a good time. It’s not often in this series I can genuinely say, “Go see this!”, and mean it with sincerity. So, go now, my children, and may the blessings of The Velocipastor be upon you.
Following a brief apology for recent tech issues, we feature another round of Trivial Pursuit: Horror Movie Edition. Also, we give brief reviews of COLOR OUT OF SPACE and THE INVISIBLE MAN, and we take up a debate brought up by a listener: “What Is The Best Year Ever For Horror Movies?”