BAD HAIR [Beyond Fest 2020 Film Review]

By: Joe Meyers 10/6/20

Writer/Director Justin Simien brings us the story of an ambitious assistant, Anna Bludso (Elle Lorraine), at a music television station in 1989 doing everything it takes to get ahead when her job is in jeopardy. This desire to move up the corporate ladder leads her to get a weave when her new boss, Zora (Vanessa Williams), tells Anna her look isn’t up to par for the music channels new “brand.” Zora gives her a card to the place she uses for her hair, and Anna eventually visits to get a weave. Unknown to her, the hair used for these weaves are “special” and just may have a mind of its own…as well as a taste for blood.

I have to say the scene where Anna gets the weave put on at Virgie’s, by Virgie herself (Laverne Cox), is one of the most terrifying and intense moments of the film. The scene is shot as slasher, every move seems menacing, and every moment seems to be killing Anna. Armed with her new look Anna climbs out of being on thin ice with her job to becoming associate producer on the overhaul of the music channel.

Anna quickly discovers the weave is “alive”, through several horrible incidents. While this film is billed as a horror-comedy, it really leaned into horror most of the time. The more out of control her hair becomes, the more her life begins to spiral out of control. Searching for answers finds Anna researching the myth of the Moss Haired Lady with the help of her academic uncle (Blair Underwood).

I found BAD HAIR to be a Hell of a fun ride. The cast is great, there’s so many people who are in this I didn’t even get to mention, and the mythology used to explain the sentient, evil hair was interesting. I did a quick search to see if the myth of the Moss Haired Woman was some that already existed or if it was created by Justin Simien. So far, I’ve not found anything on the tale. While there were comedic moments, it wasn’t a packed with comedy as the premise may suggest. So, keep that in mind going in. This isn’t some silly, horror parody. I also would have liked a deeper dive into the social commentary of the beauty standards black women face in life and in the workforce (please seek out reviews and articles about this film written by black women for a far better perspective on the social commentary, and really real world implications they deal with on a daily basis, than I can provide as a cis, white male). While it’s touched upon here, it’s not explored much further once the bloodshed begins. BAD HAIR will debut on Hulu on 10/23/20, and I’ll be watching it again for certain.

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