Category: Film Reviews

Neil (DOG SOLDIERS, THE DESCENT) Marshall’s latest film is set in 1665 England. The plague is still active, as are Withcfinder Generals, and witch trials. Grace (Charlotte Kirk) and Joseph (Joe Anderson) have a newborn and work the land they lease. Joseph takes a trip into town for work, and drops by the local pub for a quick ale afterwards. This decision sees him infected with the plague and, to save Grace and their child from the same fate, he hangs himself outside the family home.

With Joseph gone, the Landlord calls upon Grace to let her know he still expects the full rent on time. When he later returns he’s shocked to see her give her her late husband’s wedding ring as three months worth of rent. When he balks she attempts to give him her wedding ring to cover her for a total of six months. This leads to the Landlord deciding he’s rather “take the rent in trade”, and he begins to assault her. Grace fights back, and the Landlord is sent packing while warning her she’s not heard the last about this.

Stopping at the pub to “lick his wounds” he begins to spout falsehoods about Grace, and question what really happened to Joseph. If he truly had the plague both Grace and the child should have perished. If Joseph didn’t have the sickness, maybe Grace bewitched him into the noose that took his life. After reminding most everyone in the pub that he’s their landlord the group begin to drum up false accusations against grace.

These accusations see Grace attacked, taken into custody along with her baby, and brings Withcfinder General Moorcroft (Sean Pertwee) to town to find the “truth” about Joseph’s demise and Grace. From here the film turns into part torture-porn, and part revenge-porn. These are two horror sub-genres I don’t care for, so THE RECKONING was a struggle for me to endure.

I can say that Sean Pertwee was chewing scenery, in the best way possible, as Moorcroft. However, there’s not much else that I can praise the film for. At nearly 2 hours it was far too long, and the script (co written by Edward Evers-Swindell, Charlotte Kirk, and Neil Marshall) didn’t bring anything new to the witch/witch trials sub-genre. If you don’t have the same opinion on torture-porn or revenge-porn as I do, this movie could possibly work for you. For me…I can’t recommend the film, and it’s not one I’ll look to revisit.

By: Joe Meyers 8/7/20

Writer/Director Bryan (THE STRANGERS, THE MONSTER) Bertino is back with a film about siblings Louise (Marin Ireland) and Michael (Michael Abbot Jr.) returning to the family farm for the week to help their Mother (Julie Oliver-Touchstone) with their terminally ill Father (Michael Zagst). It becomes quickly, and abundantly, clear the kids don’t return home very often and that their mother doesn’t want them there.

Bryan Bertino wastes no time dropping us into the thick of things. A horrible incident with Mother leads to the kids finding her diary. In it they find page after page of her taking about something evil out there coming for their Father. His nurse (Lynn Andrews) tells Louise her Mother had changed recently, began sitting next to her Father and talking, but it was as if she was speaking to someone else and not him. Louise becomes convinced their Mother kept telling them not to come so she could save them from the clutches of whatever she was talking to.

Louise and Michael both begin to see and hear things, and this is where Bryan’s script really grabs ahold of you and doesn’t let go. The sense of dread that falls over the farm is palpable. It is in fact, dark, wicked, and unrelenting as each new night raises the stakes until the kids decide they should have their Father transported to a hospital, so they could leave the farm. The evil entity haunting the farm, of course, has other plans for the siblings and those around them. 

The performances, especially by Marin Ireland, are impressive and gut-wrenching. Xander Berkeley as a Priest has a small but extremely memorable role as well. Bryan Bertino’s script is viciously efficient and cuts right to the bone. His directing masterfully places you in the middle of the horrendous events, won’t let you go, and forces you to watch the unspeakable events that unfold. This movie is bleak with a capital B, and it so very in my wheelhouse. I rarely have nightmares after watching horror films, and I have to admit I bolted out of sleep a little past 3:00 a.m. this morning because of the movie.

With THE STRANGERS it was all about “What happens if the evil gets inside?” Here the question is “What happens if the evil is already inside?” THE DARK AND THE WICKED will be available via VOD as of 11/6/2020, and I can’t wait to own it, and watch again. I have a good feeling I’ll be talking much more about this film when we do our top horror films of 2020 in a few months.